There is no script for phone sex


I’m working on my lines for my one-woman play right now. Well, to be precise, right now I’m procrastinating. Somewhere in the middle of drafting this post I’m working on my lines, and will do so again after I put this bad boy up. Point is, I’m all in the middle of prepping for the world premiere of Phone Whore (read about it here…), and I just want to say…

Thank god there is no script for phone sex, ‘cuz memorizing is HARD.

The play has four seven-minute calls in it, interrupting the title character during an interview with a camera crew. The calls are composites, drawn from archetypes and standard openings and approaches that I’ve gotten pretty familiar with over the past 10 months. The audience hears the phone whore’s side of the calls only, so in theory I could say whatever I want and not be off. But my director likes the flow and the tone of the calls the way I wrote them, with all the pauses and plot points and imagery, and asked that I get as close to the script as possible. What has been challenging for me as a performer is getting as close to the feel of phone sex as possible, without actual input from the other side.

In my head I’m holding on to what I imagine the caller would be saying, to remember when I need to make those abrupt shifts from one track to another. That helps with the lines. But I have to dig deep to reproduce the “surprise” and the “excitement” that the caller would hear, when I already know what’s coming around the corner.

In a real call, I hesitate as a negotiating strategy for getting through the really sensitive stuff. I use non-vocal sounds, reflective responses, and very casual speech to play my part in the two-person improv piece that unfolds. Performative linguists would have a field day analyzing this shit. Scriptwriters, on the other hand, would go bonkers. I mean, I did.

And now I’m trying to put it out there in a way that keeps it fresh for audiences, but reproducibly authentic for myself. Mad props to my director for keeping me on that path. (Yes, Elizabeth, I’m getting back to my lines right now!) And mad props to my callers for staying so insanely unpredictable, so genuinely dedicated to their own turn-ons, that I can’t use a script in my daily work. In real life, I usually have no idea where we’re going. It’s an adventure. Thanks, guys.



PHONE WHORE (world premiere)


Location: Fetish Fair Fleamarket, Providence, RI
Link out: Click here
Description: Is the world ready for Phone Whore? Let’s find out, when Cameryn Moore’s gritty slice-of-life drama about phone sex, fantasy, and life “on the lines” premieres on opening night of the Fetish Fair Fleamarket in Providence, RI. If you’re already planning to be at the Flea, make this one-hour theatrical experience your first stop! You must have paid admission to the FFF to attend this event. Blackstone Room.

SPECIAL TALKBACK SESSION: come join Cameryn and Phone Whore director Lisa Dupre at 9:30 pm for discussion and feedback about this exciting new play!
Start Time: 18:45
Date: 2010-02-12
End Time: 19:45



When I grow old, I will wear tube tops


Mad, mad props to my colleague, Confessions, for a youtube channel that is as entertaining as it is educational. It was there that I found a short film called Phone Sex Grandma. Click on the link, baby. You will be so glad you did.

At first I was like, holy shit, that is one feisty old foulmouthed PSO bitch. And then I looked at the credits, and it looked like Opal Dockery wrote the piece. So I looked her up in IMDB and Opal is even more amazing than that: she’s a former burlesque dancer/stripper, and she and her son have done a series of short films–both documentary and mockumentary, like this one–plus a book about her work. I am in AWE. I’m going to try to get her on my radio show to interview her sometime, but in the meantime, truly, bow down to Opal. I TOTALLY thought she was really doing those calls. There was some speculation on the PSO forum about what company she works for! Wow. If I can get even one-tenth of her authenticity when I “do the calls” in Phone Whore, I will be ecstatic.

***********

Speaking of the radio show, it’s not on this week, people! I’m going to be out of town until Friday, so y’all should be using this week as a chance to catch up on back episodes of Cameryn Moore, Phone Whore, and I’ll have another all-new episode out for you next Wednesday.

***********

So I sent in my $4,403.76 and application to the Fringe Tour Lottery today. That may be the most money that has ever passed through my hands at one time, all that on a shot to get my play, Phone Whore, into seven fringe festivals at once. Now, if I don’t win this lottery, all is not lost. I get my entry fees back, and each individual festival will be holding its own lottery, starting with Montreal in December and rolling west, so I apply individually and string together the fringe component of the tour that way as well. But DAMN, I want to get the whole Fringe package settled, all at once. I want it so bad, I can taste it! (It tastes like wind and butterflies and the loganberries they use on the Swedish crepes at IHOP, with a slight aftertaste of nervous bile.)

They’re holding the tour lottery in London, Ontario, on Thursday morning, 10/29, and they’ll let people know on Monday. Aw, man. Why we gotta wait? Believe me, if I win a spot from this lottery, I’m not letting anyone wait. No, I’ll make you wait for 15 minutes while I submerge my head in a bucket of champagne, and then I’m gonna drunk-facebook/dial/blog EVERY-FUCKIN-BODY.

Stay tuned.



Catching up with Cameryn (good luck!)


Sorry for the light posting this last week or two. I was prepping for my Whore-a-thon fundraiser last Wednesday–we raised over $400, thanks to some dedicated listeners and my pledgemaster’s commitment to the cause, as witnessed by his promise to remove items of clothing for pledges received. Now that’s what I call incentivizing! We have pulled in $1760 in grants, donations, sponsorships, and pledges, which is more than a third of the way there to our $5000 goal by October 15. The campaign continues, so please make your donation today!

I spent the rest of the week calling around various sex and fetish-related internet stores to see about business sponsorships for the 2010 Phone Whore Tour. And let me tell you, that’s a lot of calling! I knew the internet was for porn, but holy spank store, Batman, my spreadsheet is filling up fast. (Hey, my fellow PSOs! I have a special sponsorship deal for you, if you want to get in on some Phone Whore action. Drop me a line and let’s talk.)

OH! In addition to being a cheap fundraiser option, the Whore-a-thon was meant to launch my eponymous radio show in prime fashion, and it did. I’ll be starting up the regular run of Cameryn Moore Phone Whore this coming Wednesday, September 16, with the live show at 4:30 pm EST and a repeat of the show running at 11:30 pm EST. My special guest from the Whore-a-thon, Scarlet, will be co-hosting the first regular show with me this week, and we’re excitedly planning a future in guest appearances and audio collaborations. Call-in is available for the live show only, but you’ll be able to chat with me, Scarlet, and other friends during both runs. Get details at my BlogTalkRadio page!

Do not worry, friends and fans. I will be back in blog-tastic order this coming week, when I stumble around for meaning at the intersection of race, desire, and fear… in short (or long, ba-dump-bump), the issue of the Big Black Cock.



Whore-a-thon!


Title: Whore-a-thon!
Location: Everywhere
Link out: Click here
Description: On Wednesday, September 9, Cameryn will be hosting Whore-a-thon, a live, three-hour online radio show and phone bank to raise a good chunk of the $3,800 she needs to enter Phone Whore into the Canadian Fringe Festival circuit. Lots of Q&A with Cameryn and other pros, dial-in contests, and true tales from \”the lines\” will keep you fixed to the computer and laughing your ass off! Whether you pledge now or on the evening of September 9th, join us in supporting Phone Whore and turning up the volume on a little-known corner of the sex-work industry.
Start Time: 07:00
Date: 2009-09-09
End Time: 10:00



Dialing for Dollars and Pimping for My Play


Just got word over the weekend that the Phone Whore 2010 tour received its first grant, a $500 seed grant from the New England Leather Alliance. Holy spit-shined boots, Batman, we’re getting legit!

This also means that Phone Whore (”a one-act play with frequent interruptions”) only has $4000 to go to cover entry fees for eight Fringe Festivals in the Canadian Fringe Circuit lottery, and believe me, people, I will be pimping for dollars on a regular basis. I’m even hosting a three-hour online radio event on September 9, with some friends and fans running a PBS-style phone bank in the next room.

In the meantime, if you feel the urge to donate now, go to my donate page and do it. And here’s the wonderful new fine print for my fiscal sponsor. Thank you, NELA and ISWFACE!

The Phone Whore 2010 tour, produced by Little Black Book Productions and co-presented by NELA, is a fiscally sponsored project of ISWFACE, a 501(c)(3) non-profit, tax-exempt organization. Contributions in support of Litttle Black Book Productions’ work are greatly appreciated and may be made to ISWFACE, earmarked for “ISWFACE artist approved project named LBB Productions”. All contributions are fully deductible to the extent allowed by law.

*****************

“But Cameryn, why don’t you just sell those audio stories you keep going on about, and fund the project that way? This makes you sound like a charity.”

First of all, Phone Whore—the play—is a charity. That is, it’s a fiscally sponsored project of a 501(c)(3) organization. One of the perks of operating as a non-profit is getting to be even more shameless about asking for money.

Second, I just moved here to camerynmoore.com (still putting paint on the window trim, kinda thing), and here I have an actual for-profit storefront for my audio raunch. Sex does sell, obviously, and it’s going to be paying my rent, people.

But art (even with sex in it) needs extra support. The Phone Whore 2010 tour is a separate endeavor, and it’s art, and it needs your help to launch. And that’s what this donation drive is about.



Powered by eShop v.3