Archive for Reviews/Buzz

Charlebois Post review of Phone Whore (Montreal, January 2012)

... Moore is, most of all, a highly-skilled actor (here and in phone job). She juggles the performer/spectator dynamic constantly. One minute we are accomplice - she speaks directly to us (and with tonight's minuscule audience it was possible for her to actually make eye-contact with each one in the house). In these moments of complicity she tells us about the work, about what it pays, about how the business of it works. Then she gets a call and the complicity evaporates.

The spectators becomes voyeurs, even intruders. Moore closes slightly away from us; she doesn't wink at us during the torrid call, we are not there. Often we laugh (easily, uncomfortably, horrified and delighted), sometimes there is dead silence especially near the end of the work when the calls take on a different colour and descend into profoundly shadowed corridors of the human experience. You are challenged, even tested; but it is a cathartic moment when all of your values are thrown into sharp focus and how you deal with the entire play becomes a case of how you parse it in your own head.

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Fringe Review: “Phone Whore”, Another 5 Star Performance! (Toronto Fringe, July 2010)

So you know the title and you've read the description, so it won't be a surprise to you when you go see the show that the language and phone scenarios are sexually explicit. What may surprise you is the strength of the writing and the polished acting: no basic sex ad chatter that you find in the classifieds, and no fake, over the top, cutesie acting. What you get in Phone Whore is honesty and a script that questions society's standards, taboos and hypocrisy in relation to sex and sexual fantasies.

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Phone Whore – &&&& +&&&& (Rover Arts, Montreal, June 2010)

There isn’t praise high enough for Phone Whore. Cameryn Moore’s one-woman, semi-autobiographical look into the life of a phone sex worker is frank, funny, brave, unsettling and even moving. Moore gives her audience exactly what they came for with steamy, one-sided re-enactments of calls with randy clients. But rather than stretch the material to comical extremes, she subtly shifts her focus ...

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