Bring a Cameryn Moore production to your theatre, festival, or university! My shows are both thought-provoking and accessible, guaranteed to spark important conversations about sex, the imagination, and our society. Send all inquiries to littleblackbookproductions (at) gmail (dot) com.
What producers say:
Phone Whore is that rare bird – a show that challenges audiences a long way beyond their limits, while keeping them feeling safe and engaged. The show is structured around four calls; audiences develop what feels like a personal relationship with the performer through the first three, which gives Cameryn the trust she needs to go to an extremely dark place in the fourth. This is then backed up by an open and frank after-show Q&A, which nurses audiences through the dark end of the show to the extent that I will be sending my Mum to see it.
TomÃ¡s Ford, producer, Noodle Palace & Midlandia hub venues at Fringe World, Perth
Cameryn Moore is a singular performer and creative. Her dedication, energy, and all round engagement with the world allows her to produce work to an extraordinarily high level and gifts the audience with an artist that is accessible in performance and in person. Her warmth and humour, her constant openness, are breathtaking to see on stage and a pleasure to work with through-out the production process. Her work encompasses our condition, with all the light and darkness that is held within it. As a creative, Cameryn understands her production, works hard to generate audiences, and brings in those audiences that are right for her show. The honesty with which she promotes and connects to the public is astounding, ensuring a tremendous theatre experience for all involved, whether that is as a spectator or as her grateful venue.
John-David Henshaw, producer, Sweet Venues, Edinburgh Festival Fringe, UK
… Mooreâ€™s generous and non-judgmental attitude towards all aspects of sexuality created an environment where we could discuss radical sexuality and taboo topics in a safe space. As sex educators, we make it our mission to engage with all sexuality, as opposed to whatever we consider â€œacceptable.â€ For many of the people at UTSEC, Mooreâ€™s production served to enhance that message and reaffirm our goal of making our space one that is open-minded and welcoming to people from all walks of life. As the 2012-2013 UTSEC Executive Committee, we highly recommend Cameryn Moore as an entertainer and educator for all sex-positive events. Her perspective is truly unique and we believe that working with her will truly enrich your community.
The 2012-2013 UTSEC Executive Committee, University of Toronto
My shows are all solo shows, which means that they are easy to bring in, and they are strongly text-based, which means they are easy to tech. I prefer to work in intimate spaces (30-60 seats) equipped with basic theatre tech (full stage wash with a few specials, sound ready for either CD or digital files), but I have performed everywhere from private living rooms to bookstores to 135-seat traditional theatres.
â€œ… incredibly brutal, piercing, and thought-provoking….â€ (ThreeWeeks, Edinburgh)
â€œ… by far the most intimate and insightful theatre experience youâ€™re likely to have.â€ (roverarts.com)
â€œMs. Moore is captivating to watch and has as much energy as a spring tornado.â€ (The Spectator, UK)
A slice-of-life comedy/drama, Phone Whore won the Criticsâ€™ Choice award at the 2013 Houston Fringe Festival, the award for Best Female Solo show at the 2010 San Francisco Fringe Festival, Pick of the Fringe – Drama at the 2011 Victoria Fringe Festival, and was an official selection of the 2012 Zoofest Festival in MontrÃ©al. The play invites audiences in for an unflinching look at taboo, fantasy, and the place of “deviant” desires in society today.
A merging of memory and manifesto to explore incendiary events from Camerynâ€™s very sexual life. How did it feel? What the hell was she thinking? And how will it affect tonightâ€™s hook-up?
â€œ…a study in vulnerability that manages to achieve catharsis and healing through a talented performance. …Â a touching performance and one heck of a show.â€ (The Marble, Canada)
A slice-of-life comedy/drama, slut (r)evolution won a Best of Fest award at the 2011 Winnipeg Fringe Festival, and was an official selection of the 2013 Zoofest Festival in MontrÃ©al. slut (r)evolution is the second in Camerynâ€™s trilogy of autobiographical sex-themed shows, going beyond Phone Whore to explore the real-life impact of following oneâ€™s sexual bliss.
A dynamic mix of storytelling, erotica, and spoken word, for | play is a theatrical experience fueled in part by audience choices. **Nominated for Best English-Language Script, Montreal Fringe 2012
Sometimes you look at someone and they look at you, and thereâ€™s a spark. What happens next? The audience decides, in this lyrical, motivational, and intensely intimate exploration of the instantaneous decisions that go into any sexual encounter.Â Breaking through the fourth wall, this unique one-hour performance invests viewers in the very progression of the action, liberating their own personal feelings of sexual creativity.
After three years of sparking conversations across North America while touring her raw, autobiographical works, Cameryn turned her scrutiny on others to create a multi-character gallery of mini-plays that is both delicate and daring in its exploration of sexuality and the human spirit. Inspired by the lives that intersect with hers, Cameryn lays bare the liberation and heartbreak that co-exist in the souls of us all. She partnered with award-winning director Tanner Harvey in this bold break from her previous works, with generous support from MainLine Theatre and MainLineâ€™s director Amy Blackmore.
You know what a poetry slam is, and maybe you know about story slams, too. Now you can experience a SMUT SLAM, a community storytelling open mic based on real life, real lust, real sex.
SMUT SLAMMERS sign up on the night to tell a 5-minute piece of smut/sex/erotica, based on their real lives and ideally relating to the designated theme, and a lucky eight to ten names will be drawn at random. There will be a team of 3 to 5 judges – interested amateurs, storytellers, theater people, writers, and anyone who loves sex stories. Cameryn works with local co-hosts and judges to give each slam a true local flavor.
NOT A SMUT SLAMMER? Don’t worry. The audience is always in for a good time at SMUT SLAM! Sit back and enjoy. All we ask is:
– No interrupting.Â Â Â – No heckling.Â – No necking in the front row.